The best way to describe MNDALA and its instruments is that they feel 'alive'. Samples by definition are snapshots of a moment in time, and therefore static, but to my ear, the team at MNTRA has worked tirelessly to create a set of instruments that feel performed, and as a result truly enjoyable to play and compose with.

Gareth Coker
(Ori and the Will of the Wisps, Halo Infinite)

Brian and the MNTRA team have created truly unique instruments. The recording quality, the musicality of the samples, ease of use of the plug-in, everything is top-notch. I value quality over quantity in sounds, and every patch in MNDALA has it to stand front and center. I tremendously look forward to their future releases!

Takeshi Furukawa
(The Last Guardian, Star Wars: The Clone Wars)

In a sea of virtual instruments and sound libraries MNTRA's Instruments really stand out as creative and inspirational tools. The instruments sound fantastic and the innovative interface will help you break through even the most stubborn writer's block. There's really nothing else like it.

Ryan Elder
(Rick and Morty, The Boss Baby: Back in Business) 

I own every MNTRA instrument and I can honestly say they’re all pushing a limit and filling a niche I didn’t even know was there. Between Underoath and film scoring, I’ve used UDW, ARCA, ATMA, or ORAKLE in literally every project I’ve worked on since I discovered MNTRA.

Chris Dudley
( Film Composer, Multi-Instrumentalist for Underoath)